July 30, 2016 Leave a comment
Guilherme Gontijo Flores is a Brazilian poet, translator and editor, born in Brasília in 1984. He has published brasa enganosa (false blaze, 2013) and translated, among others, Robert Burton’s Anatomy of Melancholy (1621) and Roman poet Sextus Propertius. Guilherme Gontijo Flores lives in the outskirts of Curitiba with his wife and two children, in a farmhouse that he himself designed.
His Troiades project (2014) is “a collage between voices of the defeated” that cuts, freely translates, reworks and rearranges texts from three ancient tragedies: Euripides’ Hecuba [referenced as H below] and Trojan Women [T] and Seneca’s Trojan Women [S]. The texts are then juxtaposed with public domain photos and—in the online version—music. The full project is available in Portuguese and, now, English version online at www.troiades.com.br and a selection on the Berlin-based Cabaret Wittgenstein.
The versions here are alternatives—remixes of remixes to accompany the director’s cut, as it were—that I’ve been working with Guilherme on over the past few months.