“Leave the rest of your dream to sleep at the open window”
July 18, 2015 Leave a comment
The title a contradiction. It is unclassifiable. And all of that you say about the book itself. Absent Presence is—depending on the moment you look at it—the autobiography, the memoirs, an extended prose poem, a novel, perhaps more specifically a Künstlerroman, a monologue written into the mirror, difficult prose, simple prose, an ars poetica, by the Palestinian poet Mahmoud Darwish (1941-2008), translated by Mohammad Shaheen. It is all of the above and none. What it is—and what it remains—is hallucinatory, enlightening, beautiful in specific sentences, such as:
Poems and twilight have this in common: obscurity mingles with clarity, because a hidden pit emits its rays in shafts of light and in words, and consequently deprives darkness of the eternity of adjectives.
Or in longer sections, such as this description of his writing process that plays off the title and the previous sentence a good 25 pages before:
You marvel at how the water and the song are united; the voice of water is rhythm. Perhaps music is the organisation of drops of water in a spirit which becomes clear in the hands of one who plays on instruments made out of watery, emotional material. […] …and you proceed to the hobby which has become a trade, and the trade which has been a hobby. The cup of coffee on the left side of the desk, the box of pens on the right, next to the bottle of black ink; in the middle, the white leaves covered with white writing. You meet them, and they meet you, containing the secret memory of those who have gone before. You alone have nothing determinate, no content, and in vain you try to find your own line in this white throng which stretches between writing and speech. You longer ask, ‘What shall I write?’ but rather, ‘How shall I write?’ You summon a dream, but it flees from form; you beg for a meaning, but the rhythm is uneasy with it. You believe that you have crossed the threshold which divides the horizon from the abyss. You have practised the opening of metaphor to an absence that is present, to a presence that is absent, a spontaneity that seems obedient. You know that meaning in poetry is made up of the meaning in the movement of meaning in a rhythm in which prose aspires to the citizenship of poetry and in which poetry aspires to the aristocracy of prose. ‘Take me to features of the river that I do not know, take me.’
Take us all.
I should also mention that I read this book a while back, but the impulse came from the Brazilian poetry blog, Modo de Usar, where a Portuguese translation of one of Darwish’s poems appeared my Facebook feed yesterday.
Mahmoud Darwish, Absent Presence (translated by Mohammad Shaheen), Hesperus Press, 2010